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mojo

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    Planetary
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    Mannelijk

Recente bezoekers van dit profiel

655 profielweergaven
  1. mojo

    Rw Uitgeverij

    Batman White Knight v Sean Murphy?
  2. mojo

    Ed Brubaker

    Ik ben blij met die plannen, ook al ben ik niet het doelpubliek. Ik volg hun reeksen in het Engels. Velvet is idd een goede optie, maar ook The Fade Out en Kill or Be Killed zijn afgeronde verhalen met maar enkele trades. Die 3 lijken me de meeste kans te hebben om een euro publiek aan te spreken. Op welk formaat worden de franse versies uitgegeven?
  3. mojo

    Ed Brubaker

    Voor diegenen die het artikel toch zouden willen lezen, heb ik de grootste spoilers er uit gehaald. You’ve mentioned in the past that that you wanted Kill or Be Killed to have some of the feel of monthly superhero comics, but also be completely different. And a big difference between this book and monthly superhero comics from the major publishers is that they tend to keep going, while this is ending. So was Kill or Be Killed always going to end at this point and in this way? What can you tell us about the structure of your story and how it’s evolved? Brubaker: Yeah, I always intended it to end the way it’s ending, but I didn’t know how long it would take to tell the story, and it opened up and did some different things than I thought about at first. It became much more about Dylan’s voice and his struggles and his history than I expected it to. But the structure, at least at first, was very simple, a guy in a mask who has to go out once a month (monthly, see?) and be a vigilante. It was about taking that structure that all of us who grew up going to the shop every week on new comics day have imprinted in our brains, and using it to do something different and familiar at the same time. And of course, the further in you get into a story, the more it just becomes its own thing. Or hopefully, at least. Kill or Be Killed has followed Dylan on a journey from reluctant vigilante who feels he has to kill to appease a demon, to a person who’s clearly developed a taste for killing and enjoys what he’s doing. I can’t help but compare him to a character like Walter White from Breaking Bad who sort of started off as a fairly normal guy and then discovered he had an aptitude for crime and came to enjoy it. Is that a fair comparison? Brubaker: I mean, it isn’t one I was thinking of, but sure. I’ll take it. It’s definitely a character study of what it might be like to be a relatively normal person who finds themselves in a dark place and what they’d be willing to do, even when it’s about “I don’t want to go back to who I was before, the safe version of me.” But Dylan’s probably got just as much in common with Holden Caulfield as he does with Walter White. Sean, a lot of how Dylan feels about killing and violence is evident in his eyes and body language in #19. What was it like drawing him at the end of his journey versus back at the beginning? Sean Phillips: How I draw every character slowly evolves throughout a book, some of it even intentionally. I find it hard to keep on-model for characters, so Dylan ends up looking more like me by the end. He’s purposely drawn more tired looking and unshaven though. All he’s been through takes a toll on his face. I’m not sure that his body language changes much. One of the major running elements of Dylan’s journey in Kill or Be Killed is that we’re unsure if the demon that compelled Dylan to kill was real or a symptom of his mental illness. Is that something you’re interested in definitively answering? Or ultimately will it be up to us readers to decide? Brubaker: No spoilers. Issue #20 deals with this in some ways. I found Detective Sharpe’s reactions to the violence in issue #19 to be especially compelling. How important was it to you guys to have that perspective on what’s going on as a counterpoint to Dylan’s sort of matter-of-fact narration to what’s happening? Brubaker: Well, I don’t know if I look at it that way. Lily’s possibly my favorite character in the book, so it was always fun to write her, and I always wanted to build to that climax with her and Dylan having to “team-up” in a sense. It was just about writing who the characters really are that made it work out how it did. Lily, like most cops, has never shot her gun in the line of duty or killed someone. So her reaction is one I think most people would have when ending a life. For me, a big part of Kill or Be Killed was about not glamorizing the violence, about leaning away from those clichés. The violence was always quick and brutal, and had impact or repercussions. It always rippled outward to create more trouble. So much of what made Kill or Be Killed resonant for me is the reaction shots and the distinctive facial features of it’s cast of characters. Sean, what went into the facial design of characters like Dylan, Mason, Kira and Detective Sharpe? Did you base them on likenesses of people you knew? Phillips: I shoot photo ref of myself for most of the characters, and Dylan looks a little like me. Mason, Kira and Sharpe are based on photos from an artist’s reference book series from Fairburn published in the ’70s. I can see from their work that Frank Miller and Bill Sienkiewicz have those books too! They’re useful for different faces, but I have to change all their ’70s hairstyles. I’d also like to talk about your other collaborator on Kill Or Be Killed, Elizabeth Breitweiser. The work she’s done on colors has added so much to the impact and feel of the series, especially in these final issues. What are some things Elizabeth has added to this last story arc that fans might not necessarily be aware of? What’s it been like collaborating with her over the course of the book? Brubaker: Bettie is such an amazing color artist. I really do feel like she brought an extra layer of tone to every scene, and especially in these last several issues, as the story has come full circle back around to winter, with the storms raging. Phillips: Bettie gets better with each project. One of the cool things about this project has been drawing New York throughout the seasons, and Bettie adds a lot to those scenes. She always makes interesting color choices and uses great textures. Snow is fun to draw but it needs the right colors to make it look interesting and she does that so well. Do you see yourselves ever revisiting Kill or Be Killed? Do you think there is more story to be told in this world after issue #20? Brubaker: Never say never, I’ve learned. Finally, with Kill or Be Killed wrapping, a lot of fans are interested about what you guys are doing next both as a partnership and individually. So what can you tell us about your upcoming projects both in comics and other mediums? Brubaker: Our next project will be announced soon, but I can tell you it’s an original graphic novel, a hardback book that will come out in October. And then after that, another serialized monthly that revisits the world of one of our previous books. Phillips: I’m going back to drawing on paper for that next book. All my stuff has been digital since the start of The Fade Out, so it will make a nice change. Outside of comics, I’ve got a few Blu-ray covers out soon from Arrow Films and Kino Lorber, and a few record covers for some film soundtracks and a new band from Glasgow. Comics-wise, I’ve drawn an eight-pager written by the novelist Ian Rankin for a WWI anthology, also out in October. Kill or Be Killed #20 is scheduled for release on June 27 from Image Comics.
  4. mojo

    Ed Brubaker

    2 nieuwtjes: Het einde van Kill or be killed verschijnt volgende week. In het artikel staan spoilers, dus best niet lezen of naar de previews kijken als je niet de single issues volgt. https://www.cbr.com/kill-or-be-killed-brubaker-phillips-finale-interview/?view=list&utm_content=buffera31c1&utm_medium=Social-Distribution&utm_source=CBR-TW&utm_campaign=CBR-TW Nieuwe HC Graphic novel die in oktober verschijnt: https://imagecomics.com/content/view/powerhouse-creative-team-brubaker-phillips-bring-fans-my-heroes-have-always
  5. mojo

    Mathieu Lauffray

    Ok, die vloek v Amber zal ik even negeren. Naar een artbook ben ik niet echt op zoek, maar toch bedankt.
  6. mojo

    Mathieu Lauffray

    ah nog een serie waar ik eens naar kan kijken. ik vermoed vooral in de tweedehandsbakken gezien de uitgever.
  7. mojo

    Mathieu Lauffray

    Ik hou wel van de tekeningen van Mathieu Lauffray, maar ik stel vast dat ik enkel Long John Silver (1-4) van hem heb. Ik heb even opgezocht wat er nog van hem is verschenen in het NL: De Profeet 1-4 Ik ben Legioen 1-4 Ravian hommage album Qua tekeningen zullen die reeksen wel ok zijn, maar kan er iemand me vertellen of het verhaal ook de moeite is?
  8. mojo

    Vandaag Gekocht

    Ziet er een heel knappe uitgave uit, maar die prijs kan ik er niet aan geven.
  9. mojo

    Juniorpres comics nog verkrijgbaar?

    Mekanik in Antwerpen heeft er volgens mij nog een hele hoop, maar niet de hele serie. Op tweedehandsbeurzen en op bv Facts zie ik er ook regelmatig liggen.
  10. Update vd reading order. http://www.multiversitycomics.com/annotations/hellboy-reading-order-2018/
  11. mojo

    Neil Gaiman

    Sorry, die is ondertussen al weg.
  12. mojo

    Turboreacties: Momenteel Lees Ik...

    20th century boys Eindelijk volledig zodat ik kan doorlezen tot het einde.
  13. mojo

    Gekocht - Aangekondigd - Interessant

    Ik heb gisteren de film Atomic Blonde gezien. Ik moest direct aan Queen en Country denken, maar blijkbaar is de film gebaseerd op de comic The Coldest City v Anthony Johnson. Heeft er iemand die al gelezen?
  14. mojo

    Gekocht - Aangekondigd - Interessant

    Volgens alles wat ze communiceren niet. Online lezen of in single issues.
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